Through a Glass Darkly
Book Review
Springtime, Dante, and Glass Making Lore!
Donna Leon’s fifteenth mystery is set on the island of Murano where her hero, Commissario Guido Brunetti, investigates a murder at a glass furnace (fornace) there. Prior to the murder, Brunetti started snooping around Murano because of suspicion that one of the factory owners may be out to do bodily harm to his son-in-law, an environmental activist and good friend of Brunetti’s sidekick, Vianello.
Leon writes her novels in the third person, and thus, almost everything is seen through Brunetti’s thoughts and judgments. Through Brunetti’s eyes, we experience a wonderful springtime in Venice and superb descriptions of glassware and the age-old art of glass making. Leon has done a lot of research for this book which is a primer on glass making lore and the operation of the factories on Murano. There also is biting social commentary on the effects of industrial pollution on the lagoon by not only the glass factories but also by the chemical and oil industries in nearby Margera. As is often the case, the murderer is motivated by Leon’s old standbys--vanity, greed, and lust for power.
In a less serious vain, we get to enjoy selections from Dante’s Inferno, the antics of Signorina Elletra, the stupidity of Vice-Questore Patta, and the usual immersion in Italian language, food, and culture.
Leon introduced a new character in this book--Paolo Foa. He is the boat pilot for the Questura and plays a key role in the solution of the crime. Foa replaces Bonsuan who was killed in book ten. He’s an interesting guy and hopefully will appear in future books.
- Carlo Vennarucci - May, 2006
Book Review
Springtime, Dante, and Glass Making Lore!
Donna Leon’s fifteenth mystery is set on the island of Murano where her hero, Commissario Guido Brunetti, investigates a murder at a glass furnace (fornace) there. Prior to the murder, Brunetti started snooping around Murano because of suspicion that one of the factory owners may be out to do bodily harm to his son-in-law, an environmental activist and good friend of Brunetti’s sidekick, Vianello.
Leon writes her novels in the third person, and thus, almost everything is seen through Brunetti’s thoughts and judgments. Through Brunetti’s eyes, we experience a wonderful springtime in Venice and superb descriptions of glassware and the age-old art of glass making. Leon has done a lot of research for this book which is a primer on glass making lore and the operation of the factories on Murano. There also is biting social commentary on the effects of industrial pollution on the lagoon by not only the glass factories but also by the chemical and oil industries in nearby Margera. As is often the case, the murderer is motivated by Leon’s old standbys--vanity, greed, and lust for power.
In a less serious vain, we get to enjoy selections from Dante’s Inferno, the antics of Signorina Elletra, the stupidity of Vice-Questore Patta, and the usual immersion in Italian language, food, and culture.
Leon introduced a new character in this book--Paolo Foa. He is the boat pilot for the Questura and plays a key role in the solution of the crime. Foa replaces Bonsuan who was killed in book ten. He’s an interesting guy and hopefully will appear in future books.
- Carlo Vennarucci - May, 2006
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